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Antonia is a Somerset-based figurative painter celebrated for her evocative, psychologically rich works exploring memory and human relationships. Working in oil on linen and paper, her misty, dreamlike landscapes feature solitary or paired figures seamlessly merging with their surroundings. Antonia earned an MFA from the Slade School of Fine Art and a BA (Hons) from City and Guilds of London Art School. Her work is held in prominent collections including the New Orleans Museum of Art, The British Museum and the Government Art Collection. Recipient of awards including the New Contemporaries Studio Bursary and Henry Tonks Award, she has exhibited internationally at galleries such as Timothy Taylor, White Cube, and Hauser & Wirth.
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“My figures pose more questions than they answer. I think they are, essentially, extensions of myself.”
Daniel Crews-Chubb (b. 1984, Northampton, United Kingdom) is a London-based painter whose mixed-media works wrestle with the human condition and modes of self-expression. His paintings pay homage to Abstract Expressionism, both in their gestural figuration that looks to Willem de Kooning and playful, improvisational use of collage, which recalls the three-dimensional quality of Robert Rauschenberg’s practice. Other works, like Flowers (after Van Gogh), channel earlier art-historical references, and many of the artist’s paintings look all the way back to the iconography of ancient Greece and Paleolithic totems like the Venus of Willendorf.
While his work mines our contemporary visual culture, Crews-Chubb intertwines canonical sources and classical allusions in paintings that are at once fantastical and relevant. He selects archetypes and symbols at will to create a highly personal, idiosyncratic lexicon of human and bestial figures. The artist employs collage and impasto techniques to construct his paintings, working and reworking his surfaces to dizzying effect until they seem at once to cohere and be on the verge of breaking apart. While loosely figural, his subjects function as prompts and containers for a wide-ranging and virtuosic mark-making.
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Ekow Eshun OBE is a distinguished curator, writer, and broadcaster, renowned for his multifaceted contributions to contemporary culture. Described by Vogue as “the most inspired - and inspiring - curator in Britain”, he has staged acclaimed exhibitions internationally and was awarded the Association for Art History’s Curatorial Prize 2023.
As Chairman of the Fourth Plinth in Trafalgar Square, he leads one of the world’s most iconic public art projects. Eshun’s writing, featured in outlets such as The New York Times, Financial Times, and Vogue, reflects his expansive intellectual vision.
He is the author of books including, most recently, The Strangers. longlisted for the Gordon Burn Prize and the Jhalak Prize, and Black Earth Rising: Colonialism and Climate Change in Contemporary Art. He is a Fellow of the Royal Society of Literature and was a judge for the Turner Prize 2024 and a member of the jury for the British Pavilion at the Venice Biennale 2024.
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Ginny on Frederick is a gallery founded in 2021 by Freddie Powell, working with contemporary artists across an evolving exhibition programme in London. After two years of programming in a tiled former shop, Ginny on Frederick is now located opposite Smithfield Market. Ginny on Frederick aims to continuously develop a roster of artists who reflect and respond to the realities of the world in which we live. Alongside its exhibition programme in London, Ginny on Frederick has presented exhibitions at LOMEX, New York, US; N/A, Seoul, KR; Linseed, Shanghai, CN; Sans Titre, Paris, FR; and Nir Altman, Munich, DE.
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Katy Hessel is a British art historian. She is the author of The Story of Art without Men (2022), an international bestseller, and the winner of Waterstones Book of the Year 2022; How To Live An Artful Life (2025); and The Story of Art without Men: An illustrated guide to amazing women artists (2026), her first children's book.
She runs @thegreatwomenartists, an Instagram account that has celebrated women artists since 2015, hosts the podcast of the same name – where she has interviewed Tracey Emin to Marina Abramovic, and writes a regular column for The Guardian. She is a Visiting Fellow at Cambridge University; a Trustee at Charleston.
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Kaye Donachie lives and works in London. Donachie received her BA from University of Central England and her MA in Painting from the Royal College of Art.
Selected solo exhibitions include Kaye Donachie, American Art Catalogues (New York USA, 2025) I kept the memory for myself, Maureen Paley & Studio M, (London, UK, 2024), Song for the Last Act, Pallant House Gallery, (Chichester, UK, 2023), Into the Thousand Mirrors, Lismore Castle (County Waterford, IR, 2021), There might be someone else inside you, said the Mirror, beside you., Yuka Tsuruno Gallery (Tokyo, JP, 2019), Silent as Glass, Maureen Paley (London, UK, 2018), Like this. Before. Like Waves, Maureen Paley: Morena di Luna (Hove, UK, 2018), Under the clouds of her eyelids, Le Plateau Frac ile-de-France (Paris, FR, 2017), Behind her eyelids she sees something, Ribot Gallery (Milan, Italy, 2015), Dearest..., The Fireplace Project (East Hampton, USA), Maureen Paley, London, UK, 2013, and Maureen Paley, London, UK, 2010. Selected two person exhibitions include Mademoiselle Albertine est partie !, Kaye Donachie & Guy Yanai, L’appartement (Paris, FR, 2016), Portraits of Solitude, Hernan Bas & Kaye Donachie, De la Cruz Collection Project Space (Miami, FL, 2014), and Color (rules), Kaye Donachie and Dagmar Heppner, Spazio Cabinet (Milan, IT, 2012). Her work is in the collections of the British Council (London, UK), Fonds Régional d’Art Contemporain (FRAC) (Paris, FR), National Museum (Gdansk, PL), University of Warwick Art Collection (Warwick, UK), and Pallant House Gallery (Chichester, UK).
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Phoebe Boswell is a London-based interdisciplinary artist whose practice plots an errant, black feminist and diasporic framework, moving between drawing, painting, film, installation, collaborative participation, performance, sound, and writing, with a commitment to the drawn body, the decolonial body, the intimate and the collective body, and how it is seen, felt, loved, and cared for.
Boswell’s paintings, drawings, installations, and film & video works have been exhibited and held in collections widely, including The British Museum, Los Angeles County Museum of Art, RISD, the British Film Institute’s National Archive and the UK Government Art Collection. She received the Paul Hamlyn Award for Artists and was the Bridget Riley Drawing Fellow at the British School at Rome in 2019, and received the Lumière Award from the Royal Photographic Society in 2021. She was Whitechapel Gallery’s 2022 writer-in-residence. and has presented her writing at institutions including Tate Britain, Courtauld, Victoria & Albert Museum, The Ford Foundation, and Loophole of Retreat Venice. In March 2026 she will unveil a large-scale multi-site public art commission with Art on the Underground, with new artworks installed at Notting Hill and Bethnal Green stations in London.
phoebeboswell.com
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- 3rd MAR
Submissions open - 12th MAY
Submissions close (midday) - 21st - 23rd JULY
All entrants & Shortlist notified of results - 5th NOV
Prize Winners announced at Private View - 6th - 14th NOV
Exhibition open - 23rd NOV
People's Choice Award winner announced - SPRING 2027
Showcase Award Winner at The Other Art Fair - 2027
Solo Show Award Winner exhibition at Soho Revue